The last stop on
Erasure’s 27 date North American tour (in promotion of their new album
Tomorrow’s World -out tomorrow in the U.S.) ended in Seattle last Thursday night at
The Moore Theatre. It was an sonic engagement full of surprises and exciting visual energy.
Producer and UK electro-pop leading man
Frankmusik opened up the evening with an unstoppable performance of original dance floor anthems, sincere energy, and a few notable
pop medley remixes.
In recent years
Vincent James Turner (Frankmusik) has been climbing his way up the music industry ladder -starting as a beatboxer, worked with Island, then getting signed to
Cherrytree Records (an imprint of Interscope Records) releasing a string of successful singles and producing the latest Erasure album
Tomorrow’s World.
Frankmusik live came fully equipped with a backing band (drummer, and a keyboard/vocalist). He performed tracks off his September 2011 release
Do It In The AM which paired exceptionally well with the vibe of the night. It was an all you could ask for dance party -and
Frankmusik was personable enough to come out into the lobby after the show to do a meet and greet with fans and sign CD’s. See below for bonus photos.
Thursday night
Erasure lived up to their grand over-the-top awesomely 80’s reputation with a stunning refresher course on what great pop music should be. Of course
Erasure played crowd favorites from over the past three-decades which contributed to their
25 million plus in record sales. But it was a night of new beginnings that truly made their music shine.
After all these years
Andy Bell continues to be a premiere showman live -his costume changing, body shaking persona danced up the night with
talented backup beauties. The focus was on new material from
Erasure’s 14th studio album
Tomorrow’s World (out tomorrow).
Erasure indeed gave the crowd their money’s worth with incredible set design featuring a
Gothic take on what tomorrow’s world could look like. Pictured above,
Vince Clarke quietly commands attention producing his beats from a gargoyle perch.
Our highlight of the evening was hearing
Erasure’s classic Always live along with formidable singles off the new record like -
When I Start To (Break It All Down) and
I Lose Myself.
The
new tunes sound fresh and impressive -filled with personal undertones and catchy synthpop hooks. Paired with production help from
Frankmusik, this latest record proves to be their strongest release in years! A special thanks goes out to both artists for giving us an entertaining night full of thunderous high-energy dancefloor bliss. Widescreen bonus photos from
Erasure and
Frankmusik live at The Moore Theatre below (click on each image to expand for detail)!
Cheers, FYM.BONUS PHOTOS: