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Representing Seattle, Los Angeles, San Francisco, FYM showcases original artwork, thoughtful well-written feature stories about our favorites in art, music, and culture on the West Coast.
FYM wishes a Happy 10th Birthday to two great and very different albums: Kid A by Radiohead and White Pony by Deftones.
Kid A
What is there to say about Kid A that hasn’t already been said? It was named the greatest album of the 00’s decade by both Rolling Stone and Pitchfork, which is pretty remarkable as it came out in 2000 and fended off a decade’s worth of great albums to still nab that #1 spot. Creating a successful follow-up to an album as monumental as 1997’s OK Computer was pretty much like asking Radiohead to climb Mt. Everest with no Sherpas and wearing only cargo shorts, but they successfully got to the top and mounted a bigger flag up there than anybody had before.
Radiohead succeeded with Kid A by throwing conventional rock album rules completely out the window. But then again, maybe in a way Kid A is an ultimate rock album. Back when the original rock & roll albums were made by people like Chuck Berry, Jerry Lee Lewis, and all the way through to bands like The Beatles and Led Zeppelin, they were all using guitars and drumsets and equipment in recording studios that were the most modern and technologically advanced at the time. When the 21st century hit and Radiohead was recording Kid A, guitars, and traditional drums and verse/chorus/verse songwriting were very 20th century concepts and things of the past. Kid A was recorded using computers, synthesizers, and some of the most modern technology available, just like how The Beatles and Pink Floyd and all the others used to best tools at the time too. In that sense, the sound of Kid A is the truest sound of rock and roll today.
Kid A made Radiohead an even better live band than they were before, and the album’s best song, “The National Anthem”, has been a chills-inducing highlight of their live show ever since the album’s release:
White Pony
Deftones’ White Pony could have easily been unnoticeably swept under the rug at the time of its release. It was unfairly lumped together with countless rap-metal goons that were staggeringly popular at the time. But White Pony, made by a band who were outspokenly into good music that their peers probably had never heard of like Björk and various shoegaze bands, beat the odds and became a successful album thanks to the dreamy, ethereal singles “Change (In the House of Flies)” and “Digital Bath”. Its unique ambient feel has given White Pony a replayable quality that most other album of the same era and the same genre definitely do not have.
White Pony closing track “Pink Maggit” has always been a personal favorite and still racks up a large amount of plays since 2000:
FYM wishes a Happy 10th Birthday to two great and very different albums: Kid A by Radiohead and White Pony by Deftones.
Kid A
What is there to say about Kid A that hasn’t already been said? It was named the greatest album of the 00’s decade by both Rolling Stone and Pitchfork, which is pretty remarkable as it came out in 2000 and fended off a decade’s worth of great albums to still nab that #1 spot. Creating a successful follow-up to an album as monumental as 1997’s OK Computer was pretty much like asking Radiohead to climb Mt. Everest with no Sherpas and wearing only cargo shorts, but they successfully got to the top and mounted a bigger flag up there than anybody had before.
Radiohead succeeded with Kid A by throwing conventional rock album rules completely out the window. But then again, maybe in a way Kid A is an ultimate rock album. Back when the original rock & roll albums were made by people like Chuck Berry, Jerry Lee Lewis, and all the way through to bands like The Beatles and Led Zeppelin, they were all using guitars and drumsets and equipment in recording studios that were the most modern and technologically advanced at the time. When the 21st century hit and Radiohead was recording Kid A, guitars, and traditional drums and verse/chorus/verse songwriting were very 20th century concepts and things of the past. Kid A was recorded using computers, synthesizers, and some of the most modern technology available, just like how The Beatles and Pink Floyd and all the others used to best tools at the time too. In that sense, the sound of Kid A is the truest sound of rock and roll today.
Kid A made Radiohead an even better live band than they were before, and the album’s best song, “The National Anthem”, has been a chills-inducing highlight of their live show ever since the album’s release:
White Pony
Deftones’ White Pony, which was originally released in June 2000 but was rereleased on October 3 2000 with bonus tracks, could have easily been unnoticeably swept under the rug at the time of its release. It was unfairly lumped together with countless rap-metal goons that were staggeringly popular at the time. But White Pony, made by a band who were outspokenly into good music that their peers probably had never heard of like Björk and various shoegaze bands, beat the odds and became a successful album thanks to the dreamy, ethereal singles “Change (In the House of Flies)” and “Digital Bath”. Its unique ambient feel has given White Pony a replayable quality that most other album of the same era and the same genre definitely do not have.
(Photo above taken by our resident Boston Beer Guide: Jeff ‘Brew Daddy’ Preussner, while attending Deftones live in Boston with Alice in Chains)
White Pony closing track “Pink Maggit” has always been a personal favorite and still racks up a large amount of plays since 2000:
FYM’s Senior Writer (MVP) in Los Angeles, Will Sellers, REALLY digs making thoughtful intelligent lists about music that YOU our reader, needs to know about. Click HERE (we literally are having to reroute this feature to it’s own page, because it’s so obsessive and insightful) to read about, and listen to Mr. Sellers TOP picks (so far) in 2011. Cheers, FYM
FYM’s senior writer, Will ‘weezer cruise’ Sellers rounds out our Top 25 Albums & Artists of the year. Will picks his favorite 13 albums of 2011- read the following posts below for more perspectives from FYM Seattle & San Francisco. They Live, Cheers FYM.
2011 ALBUM OF THE YEAR-The Middle East: I Want That You Are Always Happy My favorite album of 2011 comes from a band who just can’t seem to keep it together. Mere weeks after releasing their “official” debut album (an earlier album was stricken from the records before being reissued as a slimmed-down EP), Queensland, Australia’s The Middle East announced the second disbandment of the young band’s existence. This debut album, I Want That You Are Always Happy, is a glowingly expansive folk rock masterpiece. Listen to “Hunger Song”:
2. James Blake: James Blake Nobody expected the rising star of the British dubstep scene to drop one of the best vocal pop records of the year. And perhaps even less people expected James Blake to be as groundbreaking as it truly is. Watch “Lindisfarne”:
3. Bon Iver - Bon Iver, Bon Iver Between debut album For Emma, Forever Ago to this year’s self-titled masterpiece, Bon Iver’s Justin Vernon went from being “the guy who recorded an album alone in the woods” to “the guy who recorded an album in the woods with all of his friends.” Vernon proved just what he was capable of on a larger budget, crafting an album that feels both local and universal, tragic yet life-affirming. Watch Bon Iver’s classic “Holocene”:
4. Eleanor Friedberger - Last Summer The sister half of The Fiery Furnaces has always been the enticingly mysterious side, and it’s never been quite known what her input is on the Furnaces records compared to her brother Matthew’s input. If the warm and bright Last Summer is any indication, then it can be assumed that Eleanor is responsible for most of the Furnaces’ signature charm. This summer was dominated by the sunshine pop stunner, Last Summer. Watch “My Mistakes”:
5. EMA - Past Life Martyred Saints There was lots of talk of 90’s nostalgia throughout 2011, with bands like Yuck and Girls getting most of that attention, but it was perhaps EMA (Erika M. Anderson) who truly fit the 90’s description yet carried an extra hit of 90’s radicalism that famously set fire to that particular decade. Past Life Martyred Saints is a one-girl riot, yet feels much bigger than its 90s riot grrrl counterparts. If the 90’s truly are back, then EMA is definitely more Kurt than Courtney. Check out an FYM favorite- Watch “California”:
6. Girls - Father, Son, Holy Ghost Girls used 2011 and their sophomore full-length to essentially set into stone their reign as today’s premiere rock and roll saviors. It’s getting more and more difficult to pinpoint bands who consistently release rock music on the same scale as Girls tracks like “Forgiveness” and “Vomit”. Christopher Owens is the voice of the generation who doesn’t know it has a voice. Watch “Honey Bunny”:
7. PJ Harvey - Let England Shake A lot of people, forYoungModerns included, believed that the legendary PJ Harvey had finally found her true voice in the quieter, more delicate sound she exhibited on her previous album, White Chalk. For a follow-up, she perfected that sound even further, fusing stripped-down folk rock with haunting lyrical imagery about the British experience during World War I. Check out PJ Harvey’s “Written on the Forehead”:
8. Tim Hecker - Ravedeath, 1972 Ambient master Tim Hecker’s 2011 album Ravedeath, 1972, recorded over the course of one day in Iceland, provided the icy, harrowing soundtrack to a year that was just as dreary and dark for lots of people. Listen to “In the Fog”:
9. Radiohead - The King of LimbsWhen Radiohead dropped The King of Limbs early in 2011, the band was met with a mostly new phenomenon facing them: haters. People desperate to have the edgiest opinion quickly trashed this album with the hopes that they can be seen as somebody with delusions of cutting edge ideas. The problem with that is that the songs of The King of Limbs are some of the best of Radiohead’s career (especially high-flying opener “Bloom”). The only problem with this album is that, at a mere eight tracks, it’s a short listen. Nonetheless, Radiohead still is nothing to fuck with. Listen to “Bloom”:
10. Colin Stetson - New History Warfare Volume 2: Judges FYM favorite Colin Stetson’s second full-length album is the greatest soundtrack to the apocalypse since Johnny Cash’s “The Man Comes Around”. The avant garde saxophonist uses every ounce of strength and every aspect of his bass saxophones to craft his unique sound. Not only is Judges an extraordinary listen, but Stetson also rounded out his year by continuing his collaborations and tours with the likes of Arcade Fire and Bon Iver. Check out FYM’s interview with Colin Stetson HERE! Listen to “Lord I Just Can’t Keep From Crying Sometimes”:
11. tUnE-yArDs - W H O K I L L W H O K I L L, the 2011 album released by tUnE-yArDs, proves that you can teach an old dog new tricks by being one of the cleverest and most original sounding folk albums in years. Merrill Garbus’ loose, funky folk sound is so enticingly peculiar that it makes the freak folk movement from a few years back seem pretty tame today. Check out another FYM video fav- Watch “Bizness”:
12. Unknown Mortal Orchestra - Unknown Mortal OrchestraWe’re still trying to pin down a genre to label the debut album from these New Zealanders-turned-Portland, Oregoners. At its weird core, it’s one of the best lo-fi, psychedelic rock albums to arrive in quite some time. Listen to UMO’s “How Can U Love Me”:
13. Yuck: Yuck Yuck, the best band of the 90’s who just happened to have members who were probably born in the 90’s, rode 2011 on the heels of their debut album that, for me, went from being a seemingly stale-sounding rock record in a time of synthesizers, to (after about a million Yuck addiction-aided listens) being a pretty huge statement saying that maybe loud guitars and classically catchy hooks are the shit these days. Check out our final video fav- Watch “Rubber”:
